Untitled, Oil on canvas on panel, 48" x 36", 2016
Interests: Painting, drawing, collage.
White Boy, steel, paint, fringe, LED lights, 2' x 3' x 6', 2017
Interests: Gender, class, aesthetics, queer theory, humor, phenomenology.
Kathleen Patricia Durkin
Love Languages, Live Performance at UIUC Stock Pavilion, 2018
Interests: Biodiversity, labor of care, performance art, interdependency, entropy, resisting impermanence, spending time.
Baby Sister, Oil, charcoal, and acrylic on Arches paper with curtain on rod. 26" x 33"
Interests: Nostalgia, identity, working-class America, socioeconomics, politics, and the modern condition.
Homo Savior, Thread on Linen in a 10-inch hoop, 2016
Interests: Queer theory, textiles, collecting and archiving, intersectional feminism, non binary existence, Black Lives Matter, barter systems, nature, resistance.
Dreampitcher, assemblage, 10 in x 5 in x 2.5 in, 2018
Interests: Lucid dreaming, cycles, paper, found objects, boundaries, memory, environment.
Christopher Robert Jones
studio whoopsie, 2018
Interests: Abject, sculpture, queer theory, ceramic, eerie body, symbology, humor.
Lucy Jane Glenn (first cousin four times removed), acrylic and pencil on canvas, 10" x 10", 2016
Interests: Portraiture, the grotesque, kitsch, horror films, animals and nature, ghosts.
Piss Crown, colored pencil on Yupo, 8.5" x 9", 2018
Interests: Body, religion, fiber/crochet, drawing, critical theory, personal symbology
reimagining spaces--as symbols--of fear (partial image of installation), 2017
Interests: Materiality, repetition/ritual, poetry, space, collecting, circles.
Untitled (screen painting), 60” x 54”, 2018
Interests: Painting, sculpture, photography, printmaking.
Death by Natural Causes, 2018, 6" x 6" x 6"
Interests: Taxidermy, human/animal relationships, species hierarchy, evolution, mixed media.
Dead Air (excerpt), 2017
Interests: Transmission, context, collaboration, consumption, temporality.
Untitled, charcoal and oil on wood, 40" x 48", 2017.
Interests: Painting, printmaking, human figure, material.
Undertow (site-specific installation) assorted oil distillation equipment (valves, gaskets, drains, pumps, pipes, faucets, etc.) 2015–18.
Interests: Landscape, transformation, deterioration, decay, redevelopment, rebirth, excavation, gentrification, history.
The Equalizer Room, installation and interactive performance, 2016
Interests: Sensory experience, sensory loss, communication, language, phenomenology, institutional critique, social practice.